Monday, April 27, 2009

before night falls

Passing through the exploding streets,
since the pipes are ready to give out
passing around the buildings, we need to dodge,
since they are falling onto us,
between the hostile faces scrutinizing and sentencing us,
between the closed establishments,
closed markets,
closed movie theaters,
closed parks,
closed cafés.
Exhibiting already dusty signs (justifications) occasionally,
CLOSED FOR REFORMS,
CLOSED FOR REPARATION.
What kind of reparation?
When will this alleged reparation, alleged reform end?
When at least
will it begin?
Closed... closed... closed...
everything closed...
I arrive and open the innumerable locks, run up the improvised stairwell.
There she is waiting for me.
I discover her, remove the canvas and contemplate her dusty and cold
dimensions.
I get rid of the dust and caress her.
With the slightest brushes from my palms, I clean her back, her base, her
sides.
I feel desperate, happy, at her side, before her,
I run my hands over her keys, and rapidly, everything is set in motion.
The ta ta, the jingling, the music starts, little by little, already much
faster,
now, at the greatest velocity.
Walls, trees, streets,
cathedrals, faces and beaches,
cells, mini-cells,
giant cells,
starry night, naked
feet, pine groves, clouds
hundreds, thousands,
a million parrots
piano stools and a vine.
Everything shows up, everything arrives, everyone comes.
The walls expand, the ceiling disappears and, naturally, you float,
you float, float ripped apart, swept along,
elevated,
taken, transported, eternalized,
saved, for the sake of, and
for this miniscule and constant cadence,
for this music,
for this incessant jingling.

"The Parade Ends" Reinaldo Arenas
His life shakes me to the core. In his poem (about the Cuban revolution) I especially like, "Cerrado... Cerrado... Cerrado..., Todo Cerrado..." Javier Bardem does a pretty good interp, from the movie Before Night Falls.

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